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Musiker:innen der ersten Stunde erinnern sich an Diskussionen bis in die frühen Morgenstunden. Niemand schrieb dem Orchester etwas vor, aber niemand nahm auch die Entscheidungen ab. Noch nicht in den allerersten Jahren, aber sehr früh schon gehörte zum Selbstverständnis auch, dass man offen sein und bleiben wollte für Neue Musik. „Ich kannte bis dato nur Orchester, die mehr oder weniger motiviert, oft konfrontativ, fast immer mit einem Gefühl des Ekels Neue Musik spielten und gerne auch junge Dirigenten drangsalierten“, so erinnerte sich der Dirigent Lothar Zagrosek an die Jungen Deutschen Philharmonie. ",[],[],"Gelebte Demokratie",{"_key":2297,"content":2298,"contentMode":2280,"instruments":21,"orchestraMembers":2348,"title":2349},"2f4d8c5dd538",[2299,2307,2316,2324,2331,2340],{"_key":2300,"_type":38,"children":2301,"markDefs":2306,"style":55},"637ea25cf9f5",[2302],{"_key":2303,"_type":42,"marks":2304,"text":2305},"af3c1cd2e58b",[],"Zagrosek war ab 1995 als Erster Gastdirigent, Mentor und Künstlerischer Berater dem Orchester über fast zwanzig Jahre eng verbunden. Ein „spätes Wetterleuchten der 68er Bewegung“ sei die Gründung seinerzeit gewesen, schrieb Zagrosek anlässlich des 40-jährigen Orchesterjubiläums 2014. „Sofort war es für Orchestermusiker ebenso wie für Dirigenten ein Sehnsuchtsziel, dort eingeladen zu sein: ein selbstverwaltetes Orchester, Musiker, die Augenhöhe zu ihren Dirigenten und Geschäftsführern beanspruchten, die ihre Programme, ihre Spielorte, ihre Solisten, einfach alles selbst bestimmten.“",[],{"_key":2308,"_type":291,"alt":21,"caption":21,"crop":21,"dimensions":2309,"hotspot":21,"image":2313,"originalFilename":2314,"type":277,"url":2315},"6a9e2c2fd900",{"_type":294,"aspectRatio":2310,"height":2311,"width":2312},1.3445378151260505,476,640,"image-c88f6131dabdb30f779fd68077ecd444a7153e4a-640x476-jpg","FAP-05_Hamburg_Zagrosek.jpg","https://cdn.sanity.io/images/uq6s7qx0/production/c88f6131dabdb30f779fd68077ecd444a7153e4a-640x476.jpg",{"_key":2317,"_type":38,"children":2318,"markDefs":2323,"style":55},"ec298b3e39f5",[2319],{"_key":2320,"_type":42,"marks":2321,"text":2322},"11f0ef314c1d",[],"\nAuch Jonathan Nott, der Zagrosek 2014 als Erster Dirigent und künstlerischer Berater ablöste schätzt die Eigeninitiative der Musiker:innen und all die demokratischen Prozesse, die zum Selbstverständnis der Jungen Deutschen Philharmonie gehören. „Dies entspricht sehr genau meiner Vorstellung, wie ein Orchester eigentlich funktionieren sollte“, so Nott. ",[],{"_key":2325,"_type":38,"children":2326,"markDefs":2330,"style":55},"2da2ca7e247c",[2327],{"_key":2320,"_type":42,"marks":2328,"text":2329},[],"„Der kollektive Wille der Jungen Deutschen Philharmonie ist eine immense Kraft. Sie erlaubt auch mir selbst, die Werke wieder neu zu entdecken.“",[],{"_key":2332,"_type":291,"alt":21,"caption":21,"crop":21,"dimensions":2333,"hotspot":21,"image":2337,"originalFilename":2338,"type":277,"url":2339},"723b8cd71e10",{"_type":294,"aspectRatio":2334,"height":2335,"width":2336},1.5,2560,3840,"image-19319941382802cc492094db53135f9fc0f7b6f3-3840x2560-jpg","2013_ersteAPJonathan Nott_Credit_AlteOperFrankfzurt_Wolfgang_Runkel.jpg","https://cdn.sanity.io/images/uq6s7qx0/production/19319941382802cc492094db53135f9fc0f7b6f3-3840x2560.jpg",{"_key":2341,"_type":38,"children":2342,"markDefs":2347,"style":55},"be8e39ae9fed",[2343],{"_key":2344,"_type":42,"marks":2345,"text":2346},"a9cb19888949",[],"\nAb Herbst 2026 wird John Storgårds diese Funktion übernehmen, ein Dirigent, dem die Kommunikation zwischen Dirigent und Orchester besonders am Herzen liegt. „Ich möchte kein Dirigent sein, der irgendwie weit entfernt vom Orchester oder außerhalb davon steht. Ich bin definitiv Teil der gesamten Gemeinschaft und befinde mich zusammen mit allen anderen in derselben Situation.“  ",[],[],"Erster Dirigent und Künstlerischer Berater – Aber kein Chef",{"_key":2351,"content":2352,"contentMode":2280,"instruments":21,"orchestraMembers":2361,"title":2362},"e90b41d1090b",[2353],{"_key":2354,"_type":38,"children":2355,"markDefs":2360,"style":55},"d39eb3255f1f",[2356],{"_key":2357,"_type":42,"marks":2358,"text":2359},"1bd577e3319f",[],"Seit 1985 hat das aus den besten Studierenden deutschsprachiger Musikhochschulen zusammengesetzte Orchester seinen Sitz in Frankfurt, die Alte Oper Frankfurt ist der Konzertsaal, in dem es quasi zuhause ist. Dort trat am 11. September 1999 auch jenes Jubiläumsorchester auf, das zur Feier „25 Jahre Junge Deutsche Philharmonie“ eigens formiert worden war. Die Besetzung: Ehemalige Mitglieder, darunter Namen von einigem Klang. Etwa Thomas Hengelbrock und Jun Märkl, heute renommierte Dirigenten, die Musikmanager Karsten Witt und Matthias Ilkenhans, die heutigen Ensemble-Modern-Solist*innen Michael Kasper und Rumi Ogawa-Helferich, um nur ein paar zu nennen. Alle könnten sie aufregende JDPh-Stories erzählen aus ihrer aktiven JDPh-Zeit, wie die von Jun Märkl, der seinerzeit die Instrumententransporte mit dem 7,5-Tonner gefahren hat, „da kam ich mir ganz groß vor“.",[],[],"Frankfurt ",{"_key":2364,"content":2365,"contentMode":2280,"instruments":21,"orchestraMembers":2404,"title":2405},"9fdef5aeee29",[2366,2374,2382,2389,2397],{"_key":2367,"_type":38,"children":2368,"markDefs":2373,"style":55},"6cefb705d140",[2369],{"_key":2370,"_type":42,"marks":2371,"text":2372},"5e914dce3b44",[],"Ein junges Orchester mit Vorbildcharakter",[],{"_key":2375,"_type":38,"children":2376,"markDefs":2381,"style":55},"0c573e59644f",[2377],{"_key":2378,"_type":42,"marks":2379,"text":2380},"b3fc780ad96f",[],"„In der Orchesterlandschaft besetzen wir eine winzige Nische. Wir sind das, was eine Gesellschaft sein sollte: demokratisch, tolerant, extrem leistungsfähig und engagiert“, so fasste es Matthias Ilkenhans einst zusammen, damals war er Geschäftsführer der JDPh, heute ist er Manager der NDR Radiophilharmonie und weiß, dass die Nische nicht mehr winzig ist, was nicht zuletzt auch auf die JDPh selbst zurückzuführen ist. Er zählt sie auf, die Formationen, die im Laufe der Jahre aus diesem Orchester heraus gegründet wurden und in denen sich dieser Geist des konstruktiven Miteinanders und des sich Identifizierens mit dem eigenen Ensemble fortgepflanzt hat: Ensemble Modern, Freiburger Barockorchester, Kammerphilharmonie Bremen, Ensemble Resonanz – alles freie, unabhängige und zudem höchst angesehene Klangkörper, die ebenso wie die Junge Deutsche Philharmonie für einen zeitgemäßen Blick auf die Musik wie auf den Menschen stehen.",[],{"_key":2383,"_type":38,"children":2384,"markDefs":2388,"style":55},"b14a21dfc07b",[2385],{"_key":2386,"_type":42,"marks":2387,"text":2278},"f33762f09788",[],[],{"_key":2390,"_type":38,"children":2391,"markDefs":2396,"style":55},"f67c64222e72",[2392],{"_key":2393,"_type":42,"marks":2394,"text":2395},"7be02a7d53b0",[],"Musiker:innen bleiben im Durchschnitt etwa vier Jahre in der Jungen Deutschen Philharmonie, obwohl sie theoretisch etwa zehn Jahre im Orchester spielen könnten. Die meisten „verliert“ die JDPh an Profi-Orchester, was ja auch ein hervorragender Grund ist, vom „Zukunftsorchester“ Abschied zu nehmen. Andere aber bleiben, so lange es geht, übernehmen Funktionen in Gremien und im Orchestervorstand und wollen auch in der inhaltlichen Arbeit etwas mitnehmen neben dem eigentlichen Musizieren. Für die Orchestermitglieder von heute erscheint der Gründungsmythos wie ein fernes Echo. So revolutionär wie 1974 kann das Orchester heute auch nicht mehr sein, es ist ja mittlerweile eine gewachsene Institution. Damals musste gestritten werden etwa für die Neue Musik – heute ist die JDPh dafür bekannt, genau da eine Kernkompetenz zu haben. Und nach wie vor setzt die Junge Deutsche Philharmonie Ideen um, die visionär wirken im Musikbetrieb. Als Beispiel: das Frei_Spiel eine radikal spartenübergreifende Konzertform, ein Experimentierraum mit allen Freiheiten. Der Prozess des neu Denkens von Musik, Konzert und Orchester ist also keineswegs abgeschlossen.",[],{"_key":2398,"_type":291,"alt":21,"caption":21,"crop":21,"dimensions":2399,"hotspot":21,"image":2401,"originalFilename":2402,"type":277,"url":2403},"a9aabe52dba2",{"_type":294,"aspectRatio":2400,"height":616,"width":615},1.4997000599880024,"image-53febc54e45e0efdb84d5c845637c1296c51ad68-2500x1667-jpg","310824_JDPH_credit_Salar Baygan-72.jpg","https://cdn.sanity.io/images/uq6s7qx0/production/53febc54e45e0efdb84d5c845637c1296c51ad68-2500x1667.jpg",[],"Ausbildungsorchester","Historie",{"metaDescription":21,"metaTitle":21,"notIndexed":226,"ogImage":21},{"_type":83,"current":84},1785240654018]